AT-ST (All Terrain Scout Transport)

Here are some more images of MPC's AT-ST (all terrain scout transport) from Star Wars. 

From Wikipedia "

The AT-ST is a two-legged walker introduced in The Empire Strikes Back and featured extensively in Return of the Jedi. Due to their design and movement, they are often dubbed "chicken walkers".

The AT-ST model used in The Empire Strikes Back was to have more screen time; however, one scene depicting a snowspeeder shooting at the AT-ST model was ruined when the set's background shifted. For Return of the Jedi, ILM made the AT-ST design more detailed. Numerous models were created, including a full-sized AT-ST for on-location shooting. Director Richard Marquand and producer Robert Watts played the AT-ST operators for the scene in which Chewbacca (Peter Mayhew) and a pair of Ewoks commandeer an AT-ST.

Lee Seiler sued Lucasfilm in the mid-1980s, claiming that the AT-ST infringed on his copyright on what he called a "Garthian Strider", which he said he created in 1976 or 1977. The case was dismissed with the court noting that not only did Seiler not produce the supposed drawings at trial, but that the copyright came one year after The Empire Strikes Back debuted.

Star Wars guidebooks describe the AT-ST as a "reconnaissance or defensive vehicle [that] is lightweight and built for speed". Their agility allows them to defend the slower AT-ATs or support other Imperial ground forces. seat a pilot and co-pilot. AT-STs are armed with laser cannons on the "chin" and sides, feet claws for destroying small defenses and side-mounted concussion missile launchers.

During the Battle of Endor in Return of the Jedi, the protagonists and the local Ewok tribes capture or destroy many AT-STs, which due to their precariously balanced design prove highly vulnerable to the Ewoks' primitive booby traps. In the Expanded Universe, AT-STs are often featured in Imperial attack forces. Video games such as Star Wars: Rogue Squadron and Star Wars: Shadows of the Empire include numerous AT-STs, and they are player-controllable units in several real-time strategy games. Several walker designs have been influenced by the AT-ST's design. 

B Wing Fighter

Here are some more images of AMT's 1/94 scale B Wing fighter from Star Wars. 

From Wikipedia "

B-wings are fictional Rebel Alliance and New Republic starfighters in the Star Wars universe. They first appear in Star Wars Episode VI: Return of the Jedi and subsequently in the Star Wars Expanded Universe's books, comics, and games. A variety of B-wing merchandise has been released by toy companies. Although initial plans called for B-wings to appear in several scenes, its narrow appearance from some angles made it difficult to see against the backdrop of space. The ship's rotating cockpit stems from an initial design for the Millennium Falcon. Expanded Universe material states that when the Galactic Empire designs the Nebulon-B frigate to protect its convoys from Rebel Alliance X-wings and Y-wings, the Rebels respond by constructing the B-wing. The Verpine, supervised by Ackbar, design and arm the fighter to engage capital ships. The B-wing's gyrostabilized cockpit allows the pilot to maintain a consistent horizon while the craft's body rotates around it. The B-wing is the largest and most powerful fighter designed by the Rebel Alliance, and it is generally viewed as the successor to the older Y-wing fighter/bomber. B-wings have powerful shields which are considerably stronger than the shields featured on most Imperial or Rebel fighter designs, and they are armed with a greater variety of weapons. B-wings participate at the Battle of Endor in Return of the Jedi and in numerous other engagements throughout the Star Wars Expanded Universe. 

Incom T-65 X Wing

Here are some more images of Fine Molds 1/72 scale Incom T-65 X Wing fighter from Star Wars. 

From Wikipedia "X-wings are fictional starfighters from the original Star Wars trilogy and the Star Wars Expanded Universe. They are depicted as the primary interceptor and dogfighter of the Rebel Alliance and the New Republic. The craft has been merchandised as a variety of toys and models and licensed for use in games, novels and comics.

Industrial Light & Magic's (ILM) Joe Johnston sketched and Colin Cantwell built models that eventually became the final X-wing fighter in Star Wars Episode IV: A New Hope. The X-wings were designed to appear more "traditional" than the Empire's TIE fighters. ILM built miniatures in various scales, with wing markings indicating which prop represented which pilot. When ILM fell behind on generating X-wing footage, Star Wars producer George Lucas and his editors temporarily used World War II dogfight footage for initial editing cuts. Each X-wing model was built around a hollow core made from surgical tubing, which allowed lighting, cooling, and electrical connectors for the wing motors to be installed and maintained. The cockpit windows were made from faceted glass so that accurate reflections could be filmed. Although the movie's initial script and novelization describe the X-wings as belonging to "Blue squadron", limitations in bluescreen photography led to the markings on the filming models, as well as the fictional squadron affiliation being changed to red.

In addition to miniatures, the production crew made a single, full-size X-wing for scenes in the Rebels' Yavin IV base hangar; combined with cardboard cutouts and careful editing, the Rebels appear to have dozens of fighters. The production crew also made a full-size X-wing cockpit that was used for all actors; the astromech droid visible behind each actor was changed for each starfighter. Background noise pitch and tone also varied between X-wings to further differentiate the characters piloting them.

The "lake" in which Luke Skywalker (Mark Hamill) crashes his X-wing in Star Wars Episode V: The Empire Strikes Back was only 3.5 feet (1.1 m) deep, requiring the creation of a rig resembling the starfighter sitting in the lake at an angle. The rig was built in hinged sections so it could be manipulated by frogmen to sink or rise, a key feature for the scene when Luke fails to levitate his ship from the water.

In 1993, ILM visual effects specialist John Knoll created a proof of concept test of dogfighting X-wings and TIE fighters to demonstrate the feasibility of using commercially-available desktop computer software for simple animation work. This resulted in numerous parts of space battle scenes being "re-shot" as digital animations for original trilogy's Special Edition releases. The ARC-170 starfighter seen in Star Wars Episode III: Revenge of the Sith is deliberately reminiscent of the X-wing's design.

Y Wing Starfighter

Here are some more images of Revell's 1/72 scale? Snap Tite kit Y Wing Starfighter from Star Wars.
The general rule of thumb when dealing with pre painted snap tite kits is of course to glue, repaint and weather them which is precisely what has been done here, and judging from the detail this kit comes with, well worth the effort, and at a cheap price.

From Wikipedia"
Y-wings are fictional Rebel Alliance and New Republic starfighters in the Star Wars universe. They appear in Star Wars Episode IV: A New Hope, Star Wars Episode V: The Empire Strikes Back, and Star Wars Episode VI: Return of the Jedi, as well as the Clone Wars TV series and the Expanded Universe's books, comics, and games.

Industrial Light & Magic's Colin Cantwell, who also designed the saga's TIE fighters, initially designed the Y-wing with a large bubble turret for a gunner. However, the dome did not appear properly when filmed against bluescreen, and subsequent designs excised the turret.

Y-wings are described in the Expanded Universe as durable but slow tactical strike spacecraft, although notes and diagrams by the special effects crew for Return of the Jedi (shown in The Art of Return of the Jedi) show the Y-wing as possessing the same speed and maneuverability as the X-wing and standard TIE fighter. The destruction of Y-wings tasked with destroying the Death Star at the Battle of Yavin in A New Hope leads to Luke Skywalker (Mark Hamill) firing the proton torpedoes that destroy the Empire's battle station. Only one Y-wing survives the battle.

Y-wings also participate at the Battle of Endor in Return of the Jedi. The Expanded Universe describes several Y-wing varieties, such as a one-seater version, a two-seater (one pilot, one gunner) variety, and the "Longprobe" reconnaissance ship.

Siener Fleet Systems TIE/Ln Space Superiority Starfighter.

Here are some more images of Fine Molds 1/72 scale Siener Fleet Systems TIE/Ln Space Superiority Starfighter. From Wikipedia "TIE fighters are fictional starfighters in the Star Wars universe. Propelled by Twin Ion Engines (hence the TIE acronym), TIE fighters are depicted as fast, fragile starfighters produced by Sienar Fleet Systems for the Galactic Empire. TIE fighters and other TIE craft appear in the original Star Wars trilogy — Episode IV: A New Hope (1977), Episode V: The Empire Strikes Back (1980), and Episode VI: Return of the Jedi (1983) — and throughout the Star Wars Expanded Universe.

TIE Interceptor

Here are some more images of Fine Molds 1/72 scale TIE Interceptor. From Wik.... Wookieepedia "The TIE/In starfighter, or TIE Interceptor , was a TIE series starfighter used by the Galactic Empire. The TIE Interceptor was identifiable by its arrow-shaped solar collection panels, a distinct difference from the hexagonal solar arrays of its predecessor, the TIE Fighter. The Interceptor was one of the fastest starfighters in the galaxy at its prime, nearly rivaling the Alliance's RZ-1 A-wing interceptor.

Like most TIEs, the TIE Interceptor shared nearly identical cockpits, drive pods, and wing brace design with the TIE Fighter. The solar collector panels were lengthened and angled, and the forward center section was removed. This new solar array design gave the Interceptor its unmistakable dagger-like appearance, while providing the pilot with increased visibility and shrinking its profile making targeting more frustrating for enemy gunners. This wing design gave the craft a more menacing visage, continuing the Empire's reputation of ruling through fear.

The original production model came standard with four L-s9.3 laser cannons installed on each wingtip. New targeting software was among other advancements installed in the TIE Interceptor; the SFS T-s9a targeting computer offered greater accuracy during complex flight maneuvers. Twin laser cannon hardpoints still remained on the "chin" portion of the cockpit module. Provided technicians could find room for additional power generators, these cannons could also be utilized.

Later TIE Interceptor models were modified to carry four blaster cannons, replacing the original wingtip laser cannons, along with twin chin mounted laser cannons. It is believed these models participated in the Battle of Endor. However, the older model remained a common sight in Imperial fleets for years to come.

The TIE Interceptor fielded P-s5.6 twin ion engines. These new engines included an advanced ion-stream projector, thus allowing pilots access to more sophisticated combat maneuvers. Twin-port deflectors supported this feat by allowing the pilot individual manipulation of the deflectors, thus providing finer flight control. These advancements in engine technology made the TIE Interceptor a superior platform in space combat, achieving speeds beyond all other Alliance starfighters short of the A-wing.

The TIE Interceptor's primary role was as its title suggested. Like its predecessors the Interceptor lacked heavier armor, deflector shields, a hyperdrive, and life-support systems. Interceptor pilots were forced to rely on speed, maneuverability, superior numbers, and advanced weapon systems to prevail in its primary role of space superiority.

With no hyperdrive, the TIE Interceptor was reliant on a capital ship for an operations base. Star Destroyers and prominent shipyards such as Kuat and Fondor were common place for Interceptor squadrons; however, smaller vessels and more remote locations had to rely on aging TIE/ln fighters.

There was also a special variant, painted completely red with significant upgrades, that was available for use by the Emperor's Royal Guards. Aside from its paint job and upgrades, this model also featured two small wings protruding from each solar panel.

U.S.S. Bellerophon

Here are some more images of Monogram's 1/677 scale Intrepid Class U.S.S. Bellerophon (Voyager kit).
From Memory Beta"

The USS Bellerophon (NCC-74705) was a Federation Intrepid-class explorer in service to Starfleet in the late 24th century. (DS9 episode: "Inter Arma Enim Silent Leges", ST roleplay module: Starships). It was commanded by Captain Adams.

The Bellerophon travelled to Deep Space 9 in 2371 to assist Benjamin Sisko and his crew. (DS9 novel: The Laertian Gamble)

In 2375, the Bellerophon transported Federation delegates to Romulus for a conference on the Dominion War. (DS9 episode: "Inter Arma Enim Silent Leges", ST roleplay module: Starships)

In January or February of 2379, Admiral William Ross considered sending the Bellerophon to the Romulan border. (ST novel: Articles of the Federation)

The Intrepid-class was introduced in the early 2370s and was Starfleet's answer to their growing need for a versatile and quick class of starships which were capable of excellent maneuvering at both impulse and warp speed. With their variable geometry warp nacelles, the Intrepid's had a greater control of their warp field, with the added bonus of not damaging the subspace layer. (TNG video game: Armada II manual)

As well as being designed to be quick and maneuverable in combat, the Intrepid's were primarily designed to perform exploration, survey, and courier missions. The Intrepid's advanced sensors made them an excellent exploratory vessel. (ST reference: Starship Spotter)

The Intrepid-class was also one of the first Federation starship classes to be equipped to make a routine planetfall and be able to take off again with ease. (ST reference: Starship Spotter; VOY episodes: "The 37's", "Tattoo", "Basics")

The Intrepid's were also equipped with some of the most advanced computer systems of the time, with bio-neural circuitry replacing most of the isolinear circuitry that had been prevalent on previous starship classes. The bio-neural circuitry sped up the computer's data functions and improved overall performance. (VOY episode: "Caretaker"; ST reference: Starship Spotter)

Reman Scorpion Fighter

Here are some more images of Polar Lights 1/25 scale Reman Scorpion Fighter from Star Trek Nemesis. The figures come with the kit pre painted. That's why they look so cheesy. But I decided to keep them that way.
From Neutral Zone data base "Reman fighter vessel used in large numbers by Shinzon's troops during the coup on Romulus and subsequent attack on the Federation. It was a small craft of only some 7 metres in length with probably no more than room for two crewmen. Although fast and maneuverable, its armament and flight range were limited by its size.

Martian War Machine From War Of The Worlds

Here are some images of Pegasus models 1/48 scale Martian War Machine. The most difficult thing about this model was the stand. Still I feel any Sci Fi model builder worth his salt should have one in his collection. Plus at around $20 Cdn it's a great deal.

From Wikipedia"

 The War of the Worlds (also known promotionally as H. G. Wells' The War of the Worlds) is a 1953 Paramount Pictures Technicolor science fiction film starring Gene Barry and Ann Robinson. It is a loose adaptation of the H. G. Wells classic novel of the same name, and the first of a number of film adaptations based on Wells' novel. Produced by George Pal and directed by Byron Haskin from a script by Barré Lyndon, it was the first of two adaptations of Wells' work to be filmed by Pal, and is considered to be one of the great science fiction films of the 1950s. It won an Oscar for its special effects and was later selected for inclusion in the National Film Registry of the Library of Congress.
An effort was made to avoid the stereotypical flying saucer look of UFOs: The Martian war machines (designed by Al Nozaki) were instead made to be sinister-looking machines shaped like manta rays floating above the ground. Three Martian war machine props were made out of copper for the film. The same blueprints were used a decade later to construct the alien spacecraft in the film Robinson Crusoe on Mars, also directed by Byron Haskin; that film prop was later reported melted down as part of a scrap copper recycling drive. (The model the late Forrest Ackerman had in his massive, now dispersed Los Angeles science fiction collection was a replica made using the Robinson Crusoe on Mars blueprints; it was constructed by friends Paul and Larry Brooks.)
Each Martian machine was topped with an articulated metal neck/arm, culminating in the cobra-like head, housing a single electronic eye that operated both like a periscope and as a weapon. The electronic eye also housed the Martian heat ray, which pulsed and fired red sparking beams, all accompanied by thrumming and a high-pitched clattering shriek when the ray was used. The distinctive sound effect of the weapon was created by an orchestra performing a written score, mainly through the use of violins and cellos. For many years, it was utilized as a standard ray-gun sound on children's television shows and the science-fiction anthology series The Outer Limits, particularly in the episode "The Children of Spider County".
The machines also fired a green ray (referred to as a skeleton beam) from their wingtips, generating a distinctive sound, also disintegrating their targets, notably people; this second weapon is a replacement for the chemical weapon black smoke described in Wells' novel. This weapon's sound effect (created by striking a high tension cable with a hammer) was reused in Star Trek: The Original Series, accompanying the launch of photon torpedos. Another prominent sound effect was a chattering, synthesized echo, perhaps representing some kind of Martian sonar; it can be described as sounding like hissing electronic rattlesnakes.
The disintegration effect took 144 separate matte paintings to create. The sound effects of the war machines' heat rays firing were created by mixing the sound of three electric guitars being recorded backwards. The Martian's scream in the farmhouse ruins was created by mixing the sound of a microphone scraping along dry ice being combined with a woman's recorded scream and then reverse-played for the sound effect mix.
There were many problems trying to create the walking tripods of Wells' novel. It was eventually decided to make the Martian machines appear to float in the air on three invisible legs. To show their existence, subtle special effects downward lights were to be added directly under the moving war machines; however, in the final film, these only appear when one of the first machines can be seen rising from the Martian's landing site. It proved too difficult to mark out the invisible legs when smoke and other effects had to be seen beneath the machines, and the effect used to create them also created a major fire hazard. In all of the subsequent scenes, however, the three invisible leg beams create small, sparking fires where they touch the ground.

Speeder Bike

Here are some more images of MPCs 1/11 scale Speeder Bike from Star Wars. From Wikipedia "Speeder bikes and swoop bikes are small, fast transports that use repulsorlift engines in the fictional Star Wars universe. Star Wars Episode VI: Return of the Jedi includes a prominent speeder bike chase; speeders and swoops also appear in Star Wars Episode I: The Phantom Menace, Star Wars Episode II: Attack of the Clones, Star Wars Episode III: Revenge of the Sith, Star Wars IV: A New Hope, and the Star Wars Expanded Universe's books, comics, and games.

Various concept sketches came from producer George Lucas' call for a "rocket powered scooter" in Return of the Jedi. While Industrial Light & Magic's (ILM) Nilo Rodis-Jamero designed a blocky vehicle with a large engine, Ralph McQuarrie's designs were more fanciful but with less of a sense of the vehicle's power source. The final designs resulted both in full-scale Imperial speeder bikes used by the actors for film against a bluescreen, along with miniatures mounted by articulated puppets. ILM used a steadicam recording at 1 frame per second to record the speeder bikes' path through the forest moon of Endor -- in reality, a California forest.Playing the footage at the standard rate of 24 frames per second caused a blurring effect, what looked like 100MPH actually was shot at 5MPH , which ILM used to simulate the vehicles' high speed.

The BARC speeder in Revenge of the Sith was designed to appear like a predecessor to the speeder bikes in Return of the Jedi. ILM's Doug Chiang designed Darth Maul's (Ray Park) speeder in The Phantom Menace to resemble a scythe, and Chiang's initial designs for the droid army's STAP vehicle resembled the speeder bikes from Return of the Jedi. An all-CGI swoop appearing in A New Hope stems from a design created for Shadows of the Empire, and the swoop also appears briefly in The Phantom Menace.